What we do know, however, is that when the tape pops up, it’s smoking. The guard says that the tape sometimes overheats, and while we do see her thumb near the eject button, we never know if she presses it. When Marta goes with Blanc to review the security tape, she realizes that she pulled off at the wrong point, and will be exposed. She can inherently tell the difference between the two liquids. ) From her very introduction, she acts as an agent of magical realism, embodying a power fantasy rooted in inherent justice and powerful good. (This quirk is similar to the natural talents observed in Marquez’s Buendia family and Rushdie’s Midnight’s Children. While Western audiences might read this as a trope of the murder-mystery, it’s clear that as a Latin-American woman, Marta is afflicted by magical tradition. So, let’s start at the beginning.Īs soon as we meet Marta we’re told that she cannot lie-and she becomes physically ill when she tries. This obviously magical change is the one that encourages us to rewatch the film with fresh eyes. At the end of Knives Out, Portrait Harlan smiles, watching his family forcibly escorted out of Marta’s house. In the script, the portrait changes expression multiple times. He stares at her in paint, utterly austere. We see it in full for the first time as Marta faces him before her introduction to Blanc. The clearest indicator of magic in Knives Out is the portrait of Harlan Thrombey (Christopher Plummer). Magical moments are believed wholeheartedly and unquestioned throughout the text. Magic is naturally occurring, precipitated by desire, event or birth. Most importantly, magical realism mixes speculative elements and extraordinary moments of circumstance. No single motif unites magical realism, but common themes include inheritance, family, colonialism and unreliable narrators-all of which play a role in Knives Out. It now encompasses writers globally, but typically magical realism comes out of heavily colonized countries-places like Colombia (Gabriel García Márquez), India (Salman Rushdie), and South Africa (Zakes Mda). Magical realism is a genre that has origins in South American literature. (L to R) Daniel Craig, Chris Evans, Noah Segan and Lakeith Stanfield are among the large cast of Knives Out, but Marta alone is the focus of the film’s magical happenstance. Within the film, Marta is an agent of magical realism. Marta’s magical interference is unquestioned, unavoidable and necessary to the plot. The plot hinges not on coincidence, but on magic. However, in doing so, he crafts a narrative of inconceivable circumstances. Rian Johnson exploits beats of the detective story in order to create an atmosphere of constant irony surrounding Cabrera (played by Ana de Armas) and Blanc (Daniel Craig). Subscribe to Observer’s Keeping Watch Newsletter
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